When I use a stamp or a die, I really like to be able to use it in different ways – so here are further ways to use the die featured in today’s Shakers and Inlay Technique Class as promised, plus a sneak peek at products featured in my next class scheduled for May 2020.
Memory Box Side Butterfly Frame
Memory Box Jotted Birthday Script
Lawn Fawn Happy Happy Happy Stamp & Die set
Circle dies – 3.25″ and 3.5″. I used the Hero Arts Nesting Circle Dies set.
Acetate & Vellum
Nuvo Sequins and Confetti
I cut two circles, just slightly larger than the Memory Box frame. You could choose larger circles if preferred.
I scored a .25″ flap at the top of one of the circles and used strong double sided adhesive tape to secure it to the back of the second circle. This creates the card base. See photo 2 for close up.
I cut the Memory Box frame three times from white cardstock and stacked them together. I did the same for the ‘hello’.
For the background, I looked through my box of previously created backgrounds, and chose this green alcohol inked example. I cut a circle to fit the back of the frame. A die cut inlay would work well on this card too. A white heat embossed sentiment on a black strip plus a few little gold gems in the flower centres completes this cute little card.
I used the intricate butterfly die to cut three butterfly shaped openings on a landscape piece of cardstock. I used a stitched rectangle to give it a tidy edge, and cut a piece of rainbow striped patterned paper just a little larger to give a slim frame around the outer edge.
I decided where the birthday die cut was going to sit and stamped the extra sentiments on either side. This is the time to heat emboss if you want a finished look to the stamping, before the acetate is added.
The shaker part was created by adding acetate to the back of the butterfly panel and strips of foam adhesive in circles around each butterfly opening. You could simply have strips of foam creating one large rectangle, but I wanted certain colours of sequin/confetti in my openings like a rainbow. Further foam strips are added around the edge of the white panel. I am generous with adding foam, as I want my card to feel solid and stable.
The rainbow panel is added to the back, like a lid. To make this part a little easier, I lined up the white panel with the confetti sitting in their circles up with the grid on my glass mat, so I knew which grid lines to match the rainbow piece to get an even frame.
The card front is added to a card base, and a few silver gems added for sparkle. I did add black glitter cardstock bodies to the butterflies to give them definition.
Rainbow Vellum Shaker
I had a rainbow distress inked panel which I wanted to use, so I cut it down using a scalloped rectangle die from a Tonic background die set (incidentally, this die set will feature in my next technique class coming up in May). The rectangle panel is adhered directly to the card base.
I cut the circle frame out a number of times and stacked them instead of using foam. I also used vellum instead of acetate, for a different look.
I coloured the butterfly with a rainbow of colours to match, and the top intricate layer is cut from gold mirror cardstock.
I stacked the ‘happy’ to match the height of the frame and added the sentiments and gems.
Off the Card Shaker
A fun variation of the shaker is to have it off the side of the card. This is easily achieved by using packaging from a stamp or die set, using the corner of the bag where it is already perfectly folded and sealed.
I temporarily taped the card front (inked with Shaded Lilac and gold sparkle heat embossed) to the base and cut the Memory Box frame to create the opening.
I filled the packaging bag with confetti and used thin double sided tape to close the remaining two sides, ensuring the bag is a little larger than the opening. I lined up the edge of the bag with the edge of the card base, hiding the adhesive edges in between the two layers of card base and card front.
I cut two further frames and glued one to the front, and one to the back matching them up. The edges are trimmed off to match the edge of the card base.
You can also see I turned the frame a little to suit, so the flowers and leaves were not sitting at the bottom, rather climbing upwards.
I added a ‘Thanks’ by Tonic Studios across the bottom, and sentiment on the inside of the card. The butterfly is built with a vellum bottom layer, white intricate layer and inked layer adhered slightly offset. I heat embossed the butterfly body in gold.
Thank you for getting this far in my blog post! I had a great time teaching this Technique Workshop, and hope you enjoy the extra examples featured here, and have some new ideas to try out for yourself.
For more in-depth information about the best value supplies for your craft table, from cardstock to the handiest tools, check out my Best of the Basics series.
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I’ve had my eye on this stamp set by Stacey Yacula for some time, and was pleased to finally have time to get it out and do some colouring! This card has been gifted to a crafty friend celebrating her birthday.
Tim Holtz Watercolor Cardstock
Glitter paper from stash
Lawn Fawn Mermaid & Black Licorice cardstock for card base and sentiment strip
Nuvo Silver glitter cardstock
Ranger Clear embossing powder, Ink on 3 Arctic White embossing powder, and Versamark Ink
My Favorite Things Diagonal Design Background stamp (retired)
I started off by ink blending with Tumbled Glass and Peacock Feathers, lighter in the middle and darker on the edges of the watercolour cardstock. I heat embossed the Diagonal Design background stamp (just about any background stamp would be suitable for this technique) with clear embossing powder, let that cool, and then continued inking with Peacock Feathers in the centre, Mermaid Lagoon and Chipped Sapphire, again getting darker towards the edges of the panel. Distress Oxide inks are great for this technique as the ink is opaque and you can add layers of colour very easily.
I buffed the ink with a cloth. The clear embossing resists the additional ink, leaving a cool flow of colour blending within the pattern.
I cut the panel down with a MFT stitched rectangle. I actually used a smaller rectangle from the nested set than I originally intended, and had to back the panel with some glitter paper in my stash! Whoops, but it turned out well in the end!
I die cut the Celebrate three times from white cardstock, and once out of Nuvo Silver glitter cardstock and stacked these together for a little dimension.
I stamped and heat embossed the sentiment from the Sweet Celebration Wishes stamp set onto Lawn Fawn Black Licorice cardstock.
The critters were placed above the Celebrate using foam tape strips cut to fit, and the whole front is mounted onto the card base which completes the card.
If you have any questions regarding the putting together of this project, please feel free to message me – I’m only too happy to help!
The Tonic Studios background dies each come in a set of two – the intricate inner piece and a decorative rectangular die. They can be used on their own, or together or mixed and matched – creating many possibilities. I really like the delicate scalloped look of the rectangle die included in the Budding Vine set, so I matched it with the Floral Blooms intricate die for today’s card.
I taped the two dies together with purple tape, just to keep them secure, and die cut them four times.
Having them taped together ensured that all four die cuts matched when put together.
I cut one scalloped rectangle on its own for the base and adhered the first of the intricate cuts. The edges match up perfectly, and now it’s time to add colour!
I used copic markers to colour in the cut out areas in reddy pinks and lush greens. I used blends of three, dark to light from the centre of the flowers/leaves outwards. It doesn’t matter how messy this gets, as it will all be magically tidied up when we add the remaining die cuts on top. Once I was satisfied with my colouring, I glued the second layer on. This hides all the mess, and you can see immediately anywhere that is missed, and can add further details such as shading etc. Then the third die cut layer is glued on top.
Now the fun part – adding Nuvo Crystal Glaze to all of the openings to give a bit of a stained glass effect at the end. I carefully squeezed the glaze and used a craft pick to ensure I could get the glaze right into the tiny nooks and crannies. Getting some of the glaze up the sides of the die cut openings really helps with the stained glass look too.
The final die cut is glued on top to hide all the glaze messy bits and we have our completed panel. This needs a good couple of hours to dry, so leave it in a area where it can lay nice and flat.
I cut the sentiment using the Tonic Studios Thanks twice from black cardstock, and once from black glitter cardstock and stacked them onto a vellum shadow. This die is nice and long, and I glued the ends of the vellum piece around to the back of the card panel, and cut the black to match the edge.
Studio Katia pearls are added to the flower centres as a finishing touch, and I completed the card by mounting the panel onto a Neenah #110 top folding card base.
Thank you for visiting! If you have any questions regarding the putting together of this card, or any of the materials used, please feel free to message me – I’m only too happy to help!